After several years without one of ‘our own’ projects, with some new and some older faces, and additional extra gear, we touched base with Sisyphus Distressing. In agreement with the traditional …à la Metapraxis structure, seven pieces have been (dis-)joined, merged, and linked in varying ways, in order to form a single unit. That was also our debut at IKLECTIK, a very welcoming and flexible venue, particularly for the type of events we tend to put on! – Metapraxis 11/2017
A music (with a pinch of theatre) performance, was presented on the 7th of November (Albert Camus’s birthday anniversary), bringing to life a narrative based on the myth of Sisyphus: an avant-garde sonic environment full of experimental, theatrical and visual elements, intersecting with the absurd narration of the well-known myth (as it was seen by Camus). This project was conceived as the second part of a music and theatre trilogy, based on Camus’s notion of revolt: “the attitude of heroic defiance or resistance to whatever oppresses human beings”. The first part of it can be seen here (performed by the LSO).
The development and production of Sisyphus Victimised have been generously supported by the Arts Council England, and the Hinrichsen Foundation.
Gregory Emfietzis (composition/devising/production), Neil Georgeson (piano/narration), Angela Hui (percussion), Ilze Ikse (flutes), Loukia Loulaki (cello), Myrto Loulaki (voice), Rebecca Raimondi (violin)
The supporting crew
Edd Cross (video producer), Alex Lesseps (videographer), Matt London (audio engineer), Damian Posse (co-producer, videographer), Mayra Stergiou (director)
Further photographic material to follow soon!